ADVOCACY OF RECORDS AND ARCHIVES FOR TOPENG BLANTEK AS INTAGIBLE CULTURAL HERITAGE
Hikmah Irfaniah* and Ike Iswary Lawanda*
community, and the landscape of our nation. Therefore, Roe suggest that advocacy
have to be well planned to achive the target.
2.3. Intangible Cultural Heritage
Based on the UNESCO’s Convention for Safeguarding Intangible Cultural Heritage,
Intagible Cultural Heritage defined as:
The practices, representations, expressions, knowledge, skills – as well as the instruments,
objects, artefacts and cultural spaces associated therewith – that communities, groups and,
in some cases, individuals recognize as part of their cultural heritage. This intangible
cultural heritage, transmitted from generation to generation, is constantly recreated by
communities and groups in response to their environment, their interaction with nature
and their history, and provides them with a sense of identity and continuity, thus promoting
respect for cultural diversity and human creativity.
Intangible Cultural Heritage inherited from generation to generation, continually
recreated by society and groups as response for their sorrounding, interaction with
their nature and history, and interaction with natural, and it provides them sense of
identity and continuity to honor the cultural diversity and human creativity. The
Government of Indonesia has ratified the UNESCO Convention and issued the
Regulation of Ministry of Education and Culture number 106 year 2013 and define
Intangible Cultural Heritage as:
Various products of practices, manifestation, expression of knowledge and skill, related to
the cultural scope, continually inherited from generation to generation through preservation
and/or regeneration. It is also an intangible cultural product after the process of intangible
cultural heritage stipulation.
UNESCO divided Intangible Cultural Heritage into five domains, they are:
oral tradition and expression, including language; art performance;
social practices, rites, and festive events; knowledge and practice of nature and
universe; and also traditional art and craft. Topeng Blantek is in art performance
domain.
The stipulation process of a intangible cultural started with Registration
Program. Only registered cultural product is allowed to be proposed as an Intangible
Cultural Heritage of Indonesia. Intangible Cultural Heritage is not only a status
granted to a cultural product. By this status, formal institution of Topeng Blantek
that protecting the ownership right is established.
2.4. Values in Cultural Product
Value according to Kluckhon (in Hills, 2002) is “A conception, explicit or implicit,
distinctive of an individual or characteristic of a group, of the desirable which
influences the selection from available modes, means and ends of action.” Cultural
Heritage, both tangible and intangible, has values given by people who interact
with it. Mason stated that the values of cultural heritage are economic value and
Komentar
Posting Komentar